Robert Torry,Paul V.M. Flesher's Film & Religion: An Introduction PDF

How major-release movies use faith to inform tales and bring messages targeting American major-release motion pictures in view that global struggle II, the authors convey how movies use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for lecture room use, each one bankruptcy analyzes major contextual concerns throughout the lens of decide upon movies.

David J. Hogan's Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us just about brutal police officers and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their manner. those are fascinating video clips with difficult men in trench coats and sizzling tomatoes in form-fitting robes.

Download PDF by P. Goral: Cold War Rivalry and the Perception of the American West

This ebook demonstrates how the 2 adversaries of the chilly warfare, West Germany and East Germany, endeavored to create certain and designated German identities. of their pastime to assert legitimacy, the German cinematic illustration of the yank West turned a huge cultural weapon of mass dissemination throughout the chilly battle.

Film Criticism, the Cold War, and the Blacklist: Reading the - download pdf or read online

Movie feedback, the chilly conflict, and the Blacklist examines the long term reception of numerous key American motion pictures published in the course of the postwar interval, concentrating on the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in accordance with the hearings held through the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness was once frequently muddled by way of the inherent problems in dramatizing villains outlined by means of their suggestions and trust structures instead of their activities.