Read e-book online Film & Religion: An Introduction PDF

How major-release movies use faith to inform tales and bring messages targeting American major-release motion pictures considering the fact that global conflict II, the authors convey how movies use non secular imagery, characters, and symbolism from essentially Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for school room use, every one bankruptcy analyzes major contextual concerns throughout the lens of decide on movies.

David J. Hogan's Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us as regards to brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless voters that get of their approach. those are intriguing videos with tricky men in trench coats and scorching tomatoes in form-fitting robes.

Cold War Rivalry and the Perception of the American West by P. Goral PDF

This booklet demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create targeted and designated German identities. of their activity to assert legitimacy, the German cinematic illustration of the yank West turned an enormous cultural weapon of mass dissemination through the chilly conflict.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of numerous key American motion pictures published through the postwar interval, targeting the 2 major serious lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in keeping with the hearings held through the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness was once usually muddled through the inherent problems in dramatizing villains outlined via their recommendations and trust platforms instead of their activities.