Download e-book for iPad: Film & Religion: An Introduction by Robert Torry,Paul V.M. Flesher

How major-release motion pictures use faith to inform tales and produce messages targeting American major-release motion pictures due to the fact that international warfare II, the authors express how movies use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, every one bankruptcy analyzes major contextual concerns throughout the lens of choose movies.

Read e-book online Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us just about brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless electorate that get of their method. those are intriguing videos with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

Get Cold War Rivalry and the Perception of the American West PDF

This e-book demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create particular and specified German identities. of their activity to say legitimacy, the German cinematic illustration of the yank West grew to become a huge cultural weapon of mass dissemination through the chilly struggle.

Download PDF by Jeff Smith: Film Criticism, the Cold War, and the Blacklist: Reading the

Movie feedback, the chilly warfare, and the Blacklist examines the long term reception of a number of key American movies published throughout the postwar interval, targeting the 2 major serious lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced according to the hearings held by means of the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness was once frequently muddled by means of the inherent problems in dramatizing villains outlined by way of their innovations and trust structures instead of their activities.