New PDF release: Film & Religion: An Introduction

How major-release movies use faith to inform tales and bring messages targeting American major-release motion pictures for the reason that international struggle II, the authors convey how motion pictures use spiritual imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for school room use, each one bankruptcy analyzes major contextual matters during the lens of opt for movies.

Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us as regards to brutal police officers and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless electorate that get of their method. those are interesting videos with difficult men in trench coats and scorching tomatoes in form-fitting robes.

Get Cold War Rivalry and the Perception of the American West PDF

This e-book demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create detailed and precise German identities. of their activity to assert legitimacy, the German cinematic illustration of the yankee West grew to become a major cultural weapon of mass dissemination throughout the chilly conflict.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly conflict, and the Blacklist examines the long term reception of numerous key American movies published throughout the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in line with the hearings held by way of the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be frequently muddled via the inherent problems in dramatizing villains outlined through their concepts and trust platforms instead of their activities.