Download e-book for kindle: Film & Religion: An Introduction by Robert Torry,Paul V.M. Flesher

How major-release motion pictures use faith to inform tales and bring messages concentrating on American major-release movies on the grounds that global warfare II, the authors express how movies use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual matters in the course of the lens of decide upon movies.

Get Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us with reference to brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless voters that get of their method. those are interesting video clips with difficult men in trench coats and sizzling tomatoes in form-fitting robes.

Cold War Rivalry and the Perception of the American West by P. Goral PDF

This e-book demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create targeted and designated German identities. of their pastime to say legitimacy, the German cinematic illustration of the yank West grew to become an enormous cultural weapon of mass dissemination in the course of the chilly battle.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly warfare, and the Blacklist examines the long term reception of numerous key American movies published in the course of the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in keeping with the hearings held by means of the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be usually muddled by means of the inherent problems in dramatizing villains outlined through their concepts and trust structures instead of their activities.