New PDF release: Film & Religion: An Introduction

How major-release movies use faith to inform tales and produce messages concentrating on American major-release motion pictures because international warfare II, the authors convey how movies use non secular imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, every one bankruptcy analyzes major contextual matters in the course of the lens of pick out motion pictures.

David J. Hogan's Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with regards to brutal law enforcement officials and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless voters that get of their approach. those are intriguing video clips with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

Get Cold War Rivalry and the Perception of the American West PDF

This e-book demonstrates how the 2 adversaries of the chilly struggle, West Germany and East Germany, endeavored to create specific and particular German identities. of their activity to say legitimacy, the German cinematic illustration of the yankee West turned a big cultural weapon of mass dissemination throughout the chilly battle.

Get Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly struggle, and the Blacklist examines the long term reception of numerous key American motion pictures published through the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those movies: propaganda and allegory. Produced according to the hearings held through the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness was once usually muddled by means of the inherent problems in dramatizing villains outlined through their techniques and trust structures instead of their activities.