Download PDF by Robert Torry,Paul V.M. Flesher: Film & Religion: An Introduction

How major-release motion pictures use faith to inform tales and produce messages concentrating on American major-release movies due to the fact international conflict II, the authors convey how movies use non secular imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual matters in the course of the lens of decide upon movies.

New PDF release: Film Noir FAQ: All That's Left to Know About Hollywood's

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us just about brutal police officers and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless electorate that get of their method. those are fascinating video clips with tricky men in trench coats and scorching tomatoes in form-fitting robes.

Download e-book for kindle: Cold War Rivalry and the Perception of the American West by P. Goral

This publication demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create exact and distinctive German identities. of their activity to assert legitimacy, the German cinematic illustration of the yankee West turned a big cultural weapon of mass dissemination through the chilly warfare.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly struggle, and the Blacklist examines the long term reception of numerous key American movies published through the postwar interval, targeting the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced according to the hearings held through the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness used to be frequently muddled through the inherent problems in dramatizing villains outlined via their strategies and trust structures instead of their activities.