Download e-book for iPad: Film & Religion: An Introduction by Robert Torry,Paul V.M. Flesher

How major-release movies use faith to inform tales and bring messages concentrating on American major-release motion pictures seeing that international struggle II, the authors exhibit how movies use non secular imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for lecture room use, every one bankruptcy analyzes major contextual concerns throughout the lens of opt for movies.

Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us on the subject of brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their manner. those are intriguing videos with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

Download e-book for kindle: Cold War Rivalry and the Perception of the American West by P. Goral

This e-book demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create precise and specified German identities. of their recreation to assert legitimacy, the German cinematic illustration of the yankee West grew to become an incredible cultural weapon of mass dissemination throughout the chilly struggle.

Film Criticism, the Cold War, and the Blacklist: Reading the - download pdf or read online

Movie feedback, the chilly warfare, and the Blacklist examines the long term reception of a number of key American motion pictures published through the postwar interval, concentrating on the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced in keeping with the hearings held through the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be usually muddled through the inherent problems in dramatizing villains outlined by way of their strategies and trust platforms instead of their activities.