Read e-book online Film & Religion: An Introduction PDF

How major-release movies use faith to inform tales and produce messages concentrating on American major-release movies seeing that international struggle II, the authors convey how motion pictures use spiritual imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for school room use, each one bankruptcy analyzes major contextual concerns throughout the lens of opt for motion pictures.

Film Noir FAQ: All That's Left to Know About Hollywood's - download pdf or read online

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us just about brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless electorate that get of their manner. those are fascinating videos with difficult men in trench coats and scorching tomatoes in form-fitting robes.

New PDF release: Cold War Rivalry and the Perception of the American West

This booklet demonstrates how the 2 adversaries of the chilly struggle, West Germany and East Germany, endeavored to create targeted and precise German identities. of their undertaking to say legitimacy, the German cinematic illustration of the yankee West turned an immense cultural weapon of mass dissemination in the course of the chilly conflict.

Jeff Smith's Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly warfare, and the Blacklist examines the long term reception of a number of key American motion pictures published throughout the postwar interval, targeting the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in line with the hearings held via the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness used to be frequently muddled through the inherent problems in dramatizing villains outlined by means of their ideas and trust platforms instead of their activities.