Robert Torry,Paul V.M. Flesher's Film & Religion: An Introduction PDF

How major-release movies use faith to inform tales and produce messages concentrating on American major-release motion pictures due to the fact that international struggle II, the authors exhibit how movies use non secular imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for school room use, every one bankruptcy analyzes major contextual matters throughout the lens of opt for motion pictures.

Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us on the subject of brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their approach. those are fascinating videos with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

Cold War Rivalry and the Perception of the American West by P. Goral PDF

This booklet demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create detailed and particular German identities. of their recreation to assert legitimacy, the German cinematic illustration of the yank West turned a massive cultural weapon of mass dissemination through the chilly battle.

New PDF release: Film Criticism, the Cold War, and the Blacklist: Reading the

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of numerous key American movies published throughout the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those movies: propaganda and allegory. Produced based on the hearings held through the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be frequently muddled via the inherent problems in dramatizing villains outlined via their ideas and trust structures instead of their activities.