Read e-book online Film & Religion: An Introduction PDF

How major-release movies use faith to inform tales and produce messages concentrating on American major-release motion pictures seeing that global warfare II, the authors convey how movies use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual matters in the course of the lens of decide on movies.

Get Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with regards to brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their approach. those are intriguing videos with difficult men in trench coats and sizzling tomatoes in form-fitting robes.

Cold War Rivalry and the Perception of the American West - download pdf or read online

This publication demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create specific and certain German identities. of their activity to assert legitimacy, the German cinematic illustration of the yankee West turned a tremendous cultural weapon of mass dissemination through the chilly conflict.

Film Criticism, the Cold War, and the Blacklist: Reading the - download pdf or read online

Movie feedback, the chilly warfare, and the Blacklist examines the long term reception of numerous key American motion pictures published in the course of the postwar interval, targeting the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in line with the hearings held through the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness used to be usually muddled through the inherent problems in dramatizing villains outlined through their strategies and trust structures instead of their activities.