New PDF release: Film & Religion: An Introduction

How major-release movies use faith to inform tales and bring messages targeting American major-release movies due to the fact that global battle II, the authors exhibit how movies use spiritual imagery, characters, and symbolism from basically Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for school room use, each one bankruptcy analyzes major contextual matters throughout the lens of opt for motion pictures.

David J. Hogan's Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with regards to brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless electorate that get of their means. those are intriguing videos with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

P. Goral's Cold War Rivalry and the Perception of the American West PDF

This booklet demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create precise and specified German identities. of their undertaking to say legitimacy, the German cinematic illustration of the yankee West grew to become a major cultural weapon of mass dissemination in the course of the chilly battle.

Film Criticism, the Cold War, and the Blacklist: Reading the - download pdf or read online

Movie feedback, the chilly struggle, and the Blacklist examines the long term reception of numerous key American movies published throughout the postwar interval, targeting the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in keeping with the hearings held through the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness used to be usually muddled via the inherent problems in dramatizing villains outlined by way of their techniques and trust structures instead of their activities.