Read e-book online Film & Religion: An Introduction PDF

How major-release motion pictures use faith to inform tales and bring messages targeting American major-release movies due to the fact that global warfare II, the authors convey how movies use spiritual imagery, characters, and symbolism from basically Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual matters during the lens of pick out motion pictures.

Download e-book for kindle: Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with reference to brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless electorate that get of their approach. those are fascinating video clips with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

Cold War Rivalry and the Perception of the American West - download pdf or read online

This publication demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create specified and certain German identities. of their exercise to say legitimacy, the German cinematic illustration of the yankee West turned a huge cultural weapon of mass dissemination through the chilly struggle.

Jeff Smith's Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of a number of key American movies published throughout the postwar interval, targeting the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced in keeping with the hearings held by way of the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness was once usually muddled through the inherent problems in dramatizing villains outlined via their ideas and trust structures instead of their activities.