New PDF release: Film & Religion: An Introduction

How major-release movies use faith to inform tales and bring messages targeting American major-release motion pictures given that international struggle II, the authors express how movies use spiritual imagery, characters, and symbolism from basically Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for school room use, each one bankruptcy analyzes major contextual concerns throughout the lens of opt for motion pictures.

Film Noir FAQ: All That's Left to Know About Hollywood's - download pdf or read online

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us on the subject of brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless electorate that get of their manner. those are interesting videos with difficult men in trench coats and scorching tomatoes in form-fitting robes.

P. Goral's Cold War Rivalry and the Perception of the American West PDF

This booklet demonstrates how the 2 adversaries of the chilly struggle, West Germany and East Germany, endeavored to create specific and particular German identities. of their activity to assert legitimacy, the German cinematic illustration of the yankee West turned a massive cultural weapon of mass dissemination throughout the chilly battle.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly struggle, and the Blacklist examines the long term reception of numerous key American movies published in the course of the postwar interval, targeting the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced in line with the hearings held via the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness used to be frequently muddled via the inherent problems in dramatizing villains outlined by means of their recommendations and trust structures instead of their activities.