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By T. Denean Sharpley-Whiting

Black Venus is a feminist examine of the representations of black girls within the literary, cultural, and clinical mind's eye of nineteenth-century France. using psychoanalysis, feminist movie thought, and the severe race conception articulated within the works of Frantz Fanon and Toni Morrison, T. Denean Sharpley-Whiting argues that black ladies traditionally invoked either hope and primal worry in French males. by means of inspiring repulsion, charm, and nervousness, they gave upward push within the nineteenth-century French male mind's eye to the primitive narrative of Black Venus.
The booklet opens with an exploration of medical discourse on black women, utilizing Sarah Bartmann, the so-called Hottentot Venus, and common scientist Georges Cuvier as issues of departure. To additional express how clone of a savage was once projected onto the our bodies of black ladies, Sharpley-Whiting strikes into pop culture with an research of an 1814 vaudeville comic strip of Bartmann, then shifts onto the terrain of canonical French literature and colonial cinema, exploring the illustration of black ladies via Baudelaire, Balzac, Zola, Maupassant, and Loti. After venturing into twentieth-century movie with an research of Josephine Baker’s well known Princesse Tam Tam, the examine concludes with a dialogue of the way black Francophone ladies writers and activists countered stereotypical representations of black girl our bodies in this interval. A first-time translation of the vaudeville express The Hottentot Venus, or Hatred of Frenchwomen supplementations this critique of the French male gaze of the 19th and early 20th centuries.
Both intellectually rigorous and culturally fascinating, this research will entice scholars and students within the fields of 19th- and twentieth-century French literature, feminist and gender experiences, black experiences, and cultural studies.

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Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French by T. Denean Sharpley-Whiting

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