Robert Torry,Paul V.M. Flesher's Film & Religion: An Introduction PDF

How major-release movies use faith to inform tales and bring messages targeting American major-release movies on the grounds that international struggle II, the authors convey how motion pictures use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for lecture room use, each one bankruptcy analyzes major contextual concerns in the course of the lens of pick out movies.

Download e-book for kindle: Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with reference to brutal police officers and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their approach. those are fascinating videos with difficult men in trench coats and scorching tomatoes in form-fitting robes.

Download e-book for iPad: Cold War Rivalry and the Perception of the American West by P. Goral

This ebook demonstrates how the 2 adversaries of the chilly conflict, West Germany and East Germany, endeavored to create certain and detailed German identities. of their activity to say legitimacy, the German cinematic illustration of the yankee West grew to become a huge cultural weapon of mass dissemination in the course of the chilly struggle.

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Movie feedback, the chilly conflict, and the Blacklist examines the long term reception of numerous key American movies published through the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced according to the hearings held by means of the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be usually muddled by way of the inherent problems in dramatizing villains outlined via their techniques and trust structures instead of their activities.