Download e-book for iPad: Film & Religion: An Introduction by Robert Torry,Paul V.M. Flesher

How major-release movies use faith to inform tales and produce messages concentrating on American major-release movies for the reason that global conflict II, the authors express how motion pictures use non secular imagery, characters, and symbolism from essentially Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for school room use, each one bankruptcy analyzes major contextual matters during the lens of pick out motion pictures.

New PDF release: Film Noir FAQ: All That's Left to Know About Hollywood's

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us on the subject of brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless electorate that get of their manner. those are fascinating video clips with difficult men in trench coats and scorching tomatoes in form-fitting robes.

Download e-book for iPad: Cold War Rivalry and the Perception of the American West by P. Goral

This publication demonstrates how the 2 adversaries of the chilly warfare, West Germany and East Germany, endeavored to create specified and designated German identities. of their recreation to say legitimacy, the German cinematic illustration of the yankee West turned an immense cultural weapon of mass dissemination in the course of the chilly struggle.

Jeff Smith's Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly conflict, and the Blacklist examines the long term reception of a number of key American movies published throughout the postwar interval, targeting the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced based on the hearings held by means of the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be usually muddled by means of the inherent problems in dramatizing villains outlined by means of their concepts and trust platforms instead of their activities.