By Mia Mask
Contemporary Black American Cinema offers a clean choice of essays on African American movie, media, and visible tradition within the period of world multiculturalism. Integrating concept, heritage, and feedback, the contributing authors deftly attach interdisciplinary views from American reviews, cinema experiences, cultural reports, political technological know-how, media reports, and Queer idea. This multidisciplinary technique expands the discursive and interpretive registers of movie research. From Paul Robeson’s and Sidney Poitier’s famous person automobiles to Lee Daniels’s directorial forays, those essays handle the occupation legacies of movie stars, study numerous iterations of Blaxploitation and animation, query the comedic politics of "fat go well with" movies, and have a good time the innovation of avant-garde and experimental cinema.
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Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies by Mia Mask