Get Film & Religion: An Introduction PDF

How major-release motion pictures use faith to inform tales and bring messages targeting American major-release motion pictures seeing that international battle II, the authors express how movies use non secular imagery, characters, and symbolism from basically Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for lecture room use, every one bankruptcy analyzes major contextual concerns during the lens of pick out motion pictures.

David J. Hogan's Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us on the subject of brutal police officers and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their means. those are fascinating videos with tricky men in trench coats and scorching tomatoes in form-fitting robes.

Read e-book online Cold War Rivalry and the Perception of the American West PDF

This publication demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create detailed and targeted German identities. of their activity to assert legitimacy, the German cinematic illustration of the yank West turned a huge cultural weapon of mass dissemination through the chilly battle.

Film Criticism, the Cold War, and the Blacklist: Reading the - download pdf or read online

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of numerous key American movies published through the postwar interval, targeting the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in accordance with the hearings held via the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness was once frequently muddled through the inherent problems in dramatizing villains outlined by way of their innovations and trust platforms instead of their activities.