Doubting Vision: Film and the Revelationist Tradition by Malcolm Turvey PDF

By Malcolm Turvey

The movie theories of Jean Epstein, Dziga Vertov, Bela Balazs, and Siegfried Kracauer have lengthy been studied individually from one another. In Doubting Vision, movie student Malcolm Turvey argues that their paintings constitutes a different, hitherto ignored culture, which he calls revelationism, and which differs in very important methods from modernism and realism. For those 4 theorists and filmmakers, the cinema is an paintings of mass enlightenment since it escapes the bounds of human sight and divulges the real nature of truth. Turvey presents a close exegesis of this practice, pointing to its resources in Romanticism, the philosophy of Henri Bergson, glossy technology, and different highbrow currents. He additionally exhibits how profoundly it has motivated modern movie concept via reading the paintings of psychoanalytical-semiotic theorists of the Seventies, Stanley Cavell, the modern day fans of Kracauer and Walter Benjamin, and Gilles Deleuze.

Throughout, Turvey deals a trenchant critique of revelationism and its descendants. Combining the shut research of theoretical texts with the philosophical approach to conceptual rationalization pioneered by way of the later Wittgenstein, he indicates how the arguments theorists and filmmakers have made approximately human imaginative and prescient and the cinema's revelatory powers usually site visitors in conceptual confusion. Having pointed out and extricated those confusions, Turvey builds at the paintings of Epstein, Vertov, Balazs, and Kracauer in addition to modern philosophers of movie to elucidate a few valid senses within which the cinema is a revelatory paintings utilizing examples from the movies of filmmakers reminiscent of Alfred Hitchcock and Jacques Tati.

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