New PDF release: Film & Religion: An Introduction

How major-release motion pictures use faith to inform tales and produce messages concentrating on American major-release movies for the reason that global struggle II, the authors express how movies use non secular imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual matters during the lens of choose movies.

Get Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with reference to brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their method. those are interesting videos with difficult men in trench coats and sizzling tomatoes in form-fitting robes.

Download e-book for iPad: Cold War Rivalry and the Perception of the American West by P. Goral

This ebook demonstrates how the 2 adversaries of the chilly struggle, West Germany and East Germany, endeavored to create detailed and particular German identities. of their recreation to say legitimacy, the German cinematic illustration of the yankee West turned an enormous cultural weapon of mass dissemination throughout the chilly struggle.

Jeff Smith's Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of a number of key American movies published in the course of the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those movies: propaganda and allegory. Produced according to the hearings held via the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be frequently muddled by means of the inherent problems in dramatizing villains outlined via their concepts and trust platforms instead of their activities.