Film & Religion: An Introduction - download pdf or read online

How major-release movies use faith to inform tales and bring messages targeting American major-release movies considering international struggle II, the authors express how movies use spiritual imagery, characters, and symbolism from basically Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, every one bankruptcy analyzes major contextual concerns throughout the lens of decide on motion pictures.

Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us just about brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless electorate that get of their means. those are interesting videos with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

Read e-book online Cold War Rivalry and the Perception of the American West PDF

This publication demonstrates how the 2 adversaries of the chilly warfare, West Germany and East Germany, endeavored to create specified and specific German identities. of their exercise to assert legitimacy, the German cinematic illustration of the yank West turned a tremendous cultural weapon of mass dissemination through the chilly battle.

Read e-book online Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly warfare, and the Blacklist examines the long term reception of numerous key American motion pictures published through the postwar interval, targeting the 2 major serious lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced based on the hearings held by means of the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness used to be usually muddled through the inherent problems in dramatizing villains outlined through their recommendations and trust structures instead of their activities.