Film & Religion: An Introduction by Robert Torry,Paul V.M. Flesher PDF

How major-release movies use faith to inform tales and bring messages concentrating on American major-release motion pictures in view that global struggle II, the authors convey how motion pictures use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual matters throughout the lens of choose motion pictures.

Download PDF by David J. Hogan: Film Noir FAQ: All That's Left to Know About Hollywood's

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing twenty years of Hollywood's Golden Age. Noir pulls us with reference to brutal law enforcement officials and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless electorate that get of their method. those are intriguing videos with difficult men in trench coats and scorching tomatoes in form-fitting robes.

Download PDF by P. Goral: Cold War Rivalry and the Perception of the American West

This publication demonstrates how the 2 adversaries of the chilly struggle, West Germany and East Germany, endeavored to create designated and exact German identities. of their recreation to say legitimacy, the German cinematic illustration of the yank West grew to become a massive cultural weapon of mass dissemination throughout the chilly battle.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of a number of key American movies published in the course of the postwar interval, concentrating on the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced in keeping with the hearings held by means of the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those movies’ ideological message and rhetorical effectiveness was once frequently muddled by means of the inherent problems in dramatizing villains outlined by way of their techniques and trust structures instead of their activities.