Download PDF by Robert Torry,Paul V.M. Flesher: Film & Religion: An Introduction

How major-release movies use faith to inform tales and produce messages targeting American major-release movies seeing that international warfare II, the authors express how motion pictures use spiritual imagery, characters, and symbolism from essentially Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for school room use, each one bankruptcy analyzes major contextual matters during the lens of decide on movies.

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(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us with regards to brutal police officers and scheming dames, determined heist males and hardboiled inner most eyes, and the unfortunate blameless voters that get of their means. those are intriguing video clips with tricky men in trench coats and sizzling tomatoes in form-fitting robes.

P. Goral's Cold War Rivalry and the Perception of the American West PDF

This ebook demonstrates how the 2 adversaries of the chilly warfare, West Germany and East Germany, endeavored to create targeted and particular German identities. of their recreation to say legitimacy, the German cinematic illustration of the yank West grew to become an enormous cultural weapon of mass dissemination through the chilly warfare.

Download e-book for iPad: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly struggle, and the Blacklist examines the long term reception of numerous key American motion pictures published throughout the postwar interval, concentrating on the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced in line with the hearings held through the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness used to be frequently muddled by way of the inherent problems in dramatizing villains outlined through their concepts and trust structures instead of their activities.