By Susan Stanford Friedman
Drawing on an unlimited archive of worldwide heritage, anthropology, geography, cultural thought, postcolonial reports, gender stories, literature, and artwork, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon generating a number of aesthetic techniques throughout millennia. contemplating cosmopolitan in addition to nomadic and oceanic worlds, she appreciably revises the scope of modernist critique and opens the perform to extra built-in study.
Friedman strikes from large-scale circumstances of pre-1500 modernities, similar to Tang Dynasty China and the Mongol Empire, to small-scale circumstances of modernisms, together with the poetry of Du Fu and Kabir and Abbasid ceramic artwork. She maps the interconnected modernisms of the lengthy 20th century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and targeté Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the assumption of Négritude. Rejecting the dominant modernist options of marginality, othering, and major/minor, Friedman as an alternative favors rupture, mobility, pace, networks, and divergence, raising the enterprises and inventive capacities of all cultures not just long ago and current but additionally within the century to come.
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Planetary Modernisms: Provocations on Modernity Across Time (Modernist Latitudes) by Susan Stanford Friedman
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