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By Kristin L. Dowell

While Indigenous media have received expanding prominence around the globe, the colourful Aboriginal media global at the Canadian West Coast has bought little scholarly recognition. because the first ethnography of the Aboriginal media neighborhood in Vancouver, Sovereign Screens finds many of the social forces shaping Aboriginal media construction together with group media corporations and avant-garde artwork facilities, in addition to the nationwide areas of cultural coverage and media associations.

Kristin L. Dowell makes use of the idea that of visible sovereignty to envision the practices, varieties, and meanings in which Aboriginal filmmakers inform their person tales and people in their Aboriginal international locations and the intertribal city groups within which they paintings. She explores the continued debates in the group approximately what constitutes Aboriginal media, how this paintings intervenes within the nationwide Canadian mediascape, and the way filmmakers use expertise in a variety of genres—including experimental media—to recover cultural traditions and reimagine Aboriginal kinship and sociality.  examining the interactive relatives among this social neighborhood and the media kinds it produces, Sovereign Screens deals new insights into the on-screen and off-screen affects of Aboriginal media. 
 

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Sovereign Screens: Aboriginal Media on the Canadian West Coast by Kristin L. Dowell


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