Download PDF by Robert Torry,Paul V.M. Flesher: Film & Religion: An Introduction

How major-release movies use faith to inform tales and bring messages concentrating on American major-release movies on the grounds that international conflict II, the authors express how movies use non secular imagery, characters, and symbolism from essentially Christian, but in addition, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for school room use, every one bankruptcy analyzes major contextual matters throughout the lens of decide on motion pictures.

Download e-book for kindle: Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us with reference to brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless electorate that get of their approach. those are interesting video clips with tricky men in trench coats and scorching tomatoes in form-fitting robes.

P. Goral's Cold War Rivalry and the Perception of the American West PDF

This ebook demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create distinctive and distinct German identities. of their pastime to assert legitimacy, the German cinematic illustration of the yankee West grew to become a tremendous cultural weapon of mass dissemination in the course of the chilly conflict.

Jeff Smith's Film Criticism, the Cold War, and the Blacklist: Reading the PDF

Movie feedback, the chilly struggle, and the Blacklist examines the long term reception of numerous key American motion pictures published throughout the postwar interval, concentrating on the 2 major serious lenses utilized in the translation of those movies: propaganda and allegory. Produced in keeping with the hearings held via the home Committee on Un-American actions (HUAC) that led to the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness was once usually muddled by way of the inherent problems in dramatizing villains outlined by way of their innovations and trust structures instead of their activities.