New PDF release: Film & Religion: An Introduction

How major-release motion pictures use faith to inform tales and bring messages targeting American major-release movies due to the fact that global warfare II, the authors exhibit how motion pictures use non secular imagery, characters, and symbolism from essentially Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. excellent for lecture room use, each one bankruptcy analyzes major contextual concerns throughout the lens of choose movies.

Film Noir FAQ: All That's Left to Know About Hollywood's by David J. Hogan PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few 2 hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us with reference to brutal law enforcement officials and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless voters that get of their means. those are intriguing videos with difficult men in trench coats and sizzling tomatoes in form-fitting robes.

Cold War Rivalry and the Perception of the American West - download pdf or read online

This publication demonstrates how the 2 adversaries of the chilly warfare, West Germany and East Germany, endeavored to create particular and special German identities. of their pastime to say legitimacy, the German cinematic illustration of the yankee West grew to become an enormous cultural weapon of mass dissemination throughout the chilly struggle.

Download e-book for kindle: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of a number of key American motion pictures published through the postwar interval, concentrating on the 2 major severe lenses utilized in the translation of those motion pictures: propaganda and allegory. Produced according to the hearings held through the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness was once frequently muddled by way of the inherent problems in dramatizing villains outlined by means of their concepts and trust platforms instead of their activities.