Download e-book for iPad: Film & Religion: An Introduction by Robert Torry,Paul V.M. Flesher

How major-release motion pictures use faith to inform tales and bring messages concentrating on American major-release movies given that international conflict II, the authors exhibit how motion pictures use non secular imagery, characters, and symbolism from essentially Christian, but additionally, Buddhist, Hindu, Jewish, and Islamic traditions. perfect for lecture room use, each one bankruptcy analyzes major contextual concerns in the course of the lens of pick out movies.

Read e-book online Film Noir FAQ: All That's Left to Know About Hollywood's PDF

(FAQ). movie Noir FAQ celebrates and reappraises a few two hundred noir thrillers representing two decades of Hollywood's Golden Age. Noir pulls us as regards to brutal police officers and scheming dames, determined heist males and hardboiled deepest eyes, and the unfortunate blameless electorate that get of their manner. those are fascinating video clips with difficult men in trench coats and sizzling tomatoes in form-fitting robes.

P. Goral's Cold War Rivalry and the Perception of the American West PDF

This e-book demonstrates how the 2 adversaries of the chilly battle, West Germany and East Germany, endeavored to create specific and distinctive German identities. of their recreation to say legitimacy, the German cinematic illustration of the yank West grew to become an immense cultural weapon of mass dissemination throughout the chilly battle.

Download e-book for kindle: Film Criticism, the Cold War, and the Blacklist: Reading the by Jeff Smith

Movie feedback, the chilly battle, and the Blacklist examines the long term reception of numerous key American motion pictures published in the course of the postwar interval, concentrating on the 2 major severe lenses utilized in the translation of those movies: propaganda and allegory. Produced according to the hearings held by means of the home Committee on Un-American actions (HUAC) that ended in the Hollywood blacklist, those motion pictures’ ideological message and rhetorical effectiveness was once usually muddled by means of the inherent problems in dramatizing villains outlined by means of their concepts and trust platforms instead of their activities.